American Conservatory Theater announces me as one of their “Make A Thing” Micro-Commissions via Classix, presenting my sound installation “The World is the Clown.”
Theater Masters includes “Crossover” in their Take Ten MFA Playwrights festival.
Harlem World Magazine profiles Hi-ARTS to highlight their artists in residence, including Dominique Rider and me for our collaboration on “An Unclear World”.
American Blues Theater includes my theatrical monologue “Vigilante” in their 2022 Ripped Festival.
Iowa State University includes “Black Prometheus” in their One-Act Play Festival.
Rorschach Theater counts me among their finalists for their “Magic in Rough Spaces” play lab.
New York Stage and Film‘s NYSAF NOW season, including “The Freedom Industry.”
The Rude Mechanicals present “Time to a Phantom” as part of their season.
New World Theatre announces the inclusion of “Epicenter (Excerpted from The Sprinkler)” in their 8:46 Monologue Collection.
Broadway World announcing “Speedrun” in The Prelude Festival.
Broadway World shares the Prelude Festival schedule, including “Speedrun.”
I participate in a Segal Talk as part of The Prelude festival.
Playwrights Realm announcing “The Sprinkler” as a Semi-Finalist in their Scratchpad Series.
The New Cosmopolitans season announcement, including “Blaxploitation” as a part of their “New Queer Works” series.
An interview with Charging Moose Media’s “At The Table: A Play Reading Series” Podcast to discuss “Time to A Phantom.”
The Starfruit Project includes me in their non-linear 2.0 series, developing “Speedrun.”
West Suburban Theatre Connection advertises Echo Theatre Collective’s performance of “Black Prometheus”
I go on Echo Theater Collective’s Echo Show after they performed “Black Prometheus.”
Brooklyn Rail profile announcing my induction to The Tank’s writers’ group, The LIT Council.
The Queens Chronicle interviews me about “Time to A Phantom” touring the country, starting with the Woodside Players of Queens Summer Play Festival.
Piney Fork Press announces “Time to A Phantom” as the winner of the Woodside Players of Queens Summer Play Festival.
Director Dominique Rider and I discuss “Black Prometheus” ahead of Ruthless Nightingale’s Nightingale Songs Festival at Playwrights Downtown.
BUFU includes me among its EYEDREAM Fellows, developing “Black Prometheus.”
Wesleyan University’s Wesleying interviews me about my thesis play “Aporia!”