The show page for The University of Texas’ 2023 UTNT festival, which includes “Address the Body!”
Broadway World reveals the 14th Annual The Fire This Time Festival lineup, featuring “Black Women in Tech.”
American Conservatory Theater announces me as one of their “Make A Thing” Micro-Commissions via Classix, presenting my sound installation “The World is the Clown.”
Theater Masters includes “Crossover” in their Take Ten MFA Playwrights Festival.
Harlem World Magazine profiles Hi-ARTS to highlight their artists in residence, including Dominique Rider and me for our collaboration on “An Unclear World”.
The Echo Theater Company announces a reading of “Address the Body!” as the culmination of their National Young Playwrights-in-Residence program.
American Blues Theater includes my theatrical monologue “Vigilante” in their 2022 Ripped Festival.
Iowa State University includes “Black Prometheus” in their One-Act Play Festival.
American Theatre Magazine reports my finalist status in the William S. Robe Playwriting Residency at The Sound Theatre.
Rorschach Theater counts me among their finalists for their “Magic in Rough Spaces” play lab.
I do an interview with Dominique Rider about my Medea adaptation, “Additional Voices” for the Yale Schwarzman Center’s YSC Podcast.
New York Stage and Film‘s NYSAF NOW season, including “The Freedom Industry.”
The Rude Mechanicals present “Time to a Phantom” as part of their season.
New World Theatre announces the inclusion of “Epicenter (Excerpted from The Sprinkler)” in their 8:46 Monologue Collection.
Broadway World announcing “Speedrun” in The Prelude Festival.
Broadway World shares the Prelude Festival schedule, including “Speedrun.”
I participate in a Segal Talk as part of The Prelude festival.
Playwrights Realm announcing “The Sprinkler” as a Semi-Finalist in their Scratchpad Series.
Dominique and I do an interview with The New Cosmopolitans about “Blaxploitation” in their “New Queer Works” series.
The New Cosmopolitans season announcement, including “Blaxploitation” as a part of their “New Queer Works” series.
An interview with Charging Moose Media’s “At The Table: A Play Reading Series” Podcast to discuss “Time to A Phantom.”
The Starfruit Project includes me in their non-linear 2.0 series, developing “Speedrun.”
West Suburban Theatre Connection advertises Echo Theatre Collective’s performance of “Black Prometheus”
I go on Echo Theater Collective’s Echo Show after they performed “Black Prometheus.”
Brooklyn Rail profile announcing my induction to The Tank’s writers’ group, The LIT Council.
The Queens Chronicle interviews me about “Time to A Phantom” touring the country, starting with the Woodside Players of Queens Summer Play Festival.
Piney Fork Press announces “Time to A Phantom” as the winner of the Woodside Players of Queens Summer Play Festival.
Director Dominique Rider and I discuss “Black Prometheus” ahead of Ruthless Nightingale’s Nightingale Songs Festival at Playwrights Downtown.
BUFU includes me among its EYEDREAM Fellows, developing “Black Prometheus.”
Wesleyan University’s Wesleying interviews me about my thesis play “Aporia!”