2023
Fault Line Theater includes “Legitime” in their Irons in the Fire reading series.
Sightlines Magazine‘s Review of “Address the Body!”
The show page for The University of Texas’ 2023 UTNT festival, which includes “Address the Body!”
UT’s Off Book blog interviews Dominique Rider and myself about “Address the Body!” at UTNT.
Forbes interviews The Fire This Time artistic director Cezar Williams about Season 14, which includes “Black Women in Tech.”
2022
American Theatre Magazine, DC Theater Arts, The Dramatists Guild, Nothing for the Group, and The University of Texas report on my inclusion in Theater J’s Expanding the Canon Commission cohort.
Broadway World reveals the 14th Annual The Fire This Time Festival lineup and schedule, featuring “Black Women in Tech.”
An interview I did with Cezar Willaims to discuss “Black Women in Tech” at The Fire This Time Festival.
New Play Exchange includes “The Freedom Industry” on their list of plays by Playwrights’ Center Fellows in honor of my Core Apprenticeship.
American Conservatory Theater announces me as one of their “Make A Thing” Micro-Commissions via Classix, presenting my sound installation “The World is the Clown.”
Theater Masters includes “Crossover” in their Take Ten MFA Playwrights Festival.
A pair of interviews Dominique Rider and I did with Hi-ARTS for “An Unclear World.”
Broadway World, Harlem World Magazine, New York Trend, NY CaribNews, and Hi-ARTS announce Dominique Rider’s and my Critical Breaks residency, developing “An Unclear World.”
Harlem World Magazine profiles Hi-ARTS to highlight their artists in residence, including Dominique Rider and me for our collaboration on “An Unclear World”.
Broadway World, American Theatre, and The Echo Theater Company announce my inclusion in Echo’s National Young Playwrights-in-Residence program.
The Echo Theater Company announces a reading of “Address the Body!” as the culmination of their National Young Playwrights-in-Residence program.
American Blues Theater includes my theatrical monologue “Vigilante” in their 2022 Ripped Festival.
Iowa State University includes “Black Prometheus” in their One-Act Play Festival.
American Theatre Magazine reports my finalist status in the William S. Robe Playwriting Residency at The Sound Theatre.
Rorschach Theater counts me among their finalists for their “Magic in Rough Spaces” play lab.
I do an interview with Dominique Rider about my Medea adaptation, “Additional Voices” for the Yale Schwarzman Center’s YSC Podcast.
2021
New York Stage and Film‘s NYSAF NOW season, including “The Freedom Industry.”
Broadway World and Patch include me in Ucross and The Blank Theatre’s list of Semi-Finalists for their Future of Playwriting Prize.
The Cohen New Works Festival announces its slate, including “Videoessay.”
The Rude Mechanicals present “Time to a Phantom” as part of their season.
New World Theatre announces the inclusion of “Epicenter (Excerpted from The Sprinkler)” in their 8:46 Monologue Collection.
2020
Broadway World announcing “Speedrun” in The Prelude Festival.
Broadway World shares the Prelude Festival schedule, including “Speedrun.”
I participate in a Segal Talk as part of The Prelude festival.
Playwrights Realm announcing “The Sprinkler” as a Semi-Finalist in their Scratchpad Series.
Dominique and I do an interview with The New Cosmopolitans about “Blaxploitation” in their “New Queer Works” series.
The New Cosmopolitans season announcement, including “Blaxploitation” as a part of their “New Queer Works” series.
An interview with Charging Moose Media’s “At The Table: A Play Reading Series” Podcast to discuss “Time to A Phantom.”
The Starfruit Project includes me in their non-linear 2.0 series, developing “Speedrun.”
Playbill, American Theatre, Broadway World, DoNYC, and New York Irish Arts articles announcing my induction to Town Stages’ Sokoloff Creative Arts Fellowship.
West Suburban Theatre Connection advertises Echo Theatre Collective’s performance of “Black Prometheus”
I go on Echo Theater Collective’s Echo Show after they performed “Black Prometheus.”
2019
Broadway World, Fresh Arts, and Culture Map Houston‘s announcements for “Time to A Phantom” appearing in the Fade to Black Festival in Houston, Texas.
Brooklyn Rail profile announcing my induction to The Tank’s writers’ group, The LIT Council.
The Queens Chronicle interviews me about “Time to A Phantom” touring the country, starting with the Woodside Players of Queens Summer Play Festival.
Piney Fork Press announces “Time to A Phantom” as the winner of the Woodside Players of Queens Summer Play Festival.
Director Dominique Rider and I discuss “Black Prometheus” ahead of Ruthless Nightingale’s Nightingale Songs Festival at Playwrights Downtown.
2018
BUFU includes me among its EYEDREAM Fellows, developing “Black Prometheus.”
2017
Wesleyan University’s Wesleying interviews me about my thesis play “Aporia!”
Long Day of the Modern 